September 2011 by Kate Dudding Five years ago, something exciting happened in our community. (No, that’s not the royal we – I have a producing partner, Alden (Joe) Doolittle. We specialize in producing storytelling events for adults. Together we’ve produced over 90 storytelling dinner programs and over 10 Tellabrations.)
Becoming the Resident Storytelling Company at an Arts Center Details »
Juneau Empire December 10, 2017 Summary: Now in their seventh season, Mudrooms is Juneau’s monthly community storytelling event. Each event has a different theme. On Dec. 12, the theme is “Square peg in a round hole.” As with every event, there will be seven storytellers telling seven stories at seven minutes each. Cost is $7.
Mudrooms adds storytelling workshop to December events Details »
2010 National Storytelling Conference July 29-August 1, 2010 Warner Center Marriott – Los Angeles (Woodland Hills), California There was a pre-conference session of particular interest to PRO SIG members: Thursday, July 29, 9:00 am-12 noon PRO-SIG members shared the lessons learned at the October 2009 “Next Audiences Conference” on the state of the art for
Lessons from X and Y: Marketing and Social Media with the 20-40 Year Olds Details »
by Ruth Stotter Member, Producers & Organizers SIG Having experienced the pleasure, despair and surprise from the experience of renting a half-dozen theatres and sponsoring dozens of storytelling evenings, here are some of my suggestions for those planning to produce storytelling events. 1) Instead of a set fee, offer a percentage of the take at
Tips For The Would-Be Producer Details »
Sheraton Plaza Hotel St. Louis, Missouri July 12, 2007 Ronald J. Turner Executive Vice President Emeritus University of Missouri Thank you for that generous introduction and thanks to the organizers of this important conference. It is truly good to be here with all of you as we continue the journey of growth and
National Storytelling Network 2007 Conference Keynote Details »
by Members of the Producers & Organizers SIG Here’s a question that appeared on the PRO SIG listserv. Our Tellabration Problem We have our tellers audition their stories, and plan the timing of our program accordingly. But last year, two of the stories really grew between the audition and Tellabration. Plus an emcee took lots
How to Gracefully Keep a Program Running On Time Details »
By Mary Grace Ketner ( ) I tend to separate the two: emceeing, introductions. The emceeing has to do with the overall program and the audience, welcoming, making the program flow, cleansing the palate between each teller, building anticipation for the next story, bringing closure. The introductory “speech” for each teller is a separate project
Emceeing and Giving Introductions Details »
by Nan Kammann-Judd Member, Producers & Organizers SIG The storytelling community is one of the warmest, most talented, compassionate, and usually very professional groups of people. What separates the “professional” storyteller from other storytellers who are invited to participate in festivals, workshops, performances, and conferences? From the producer’s perspective, here are some suggestions for the
What Producers Need From Storytellers Details »
by Kate Dudding () At the National Storytelling Network’s 2003 Conference in Chicago, I moderated a panel discussion on this topic. Other panel members were Gerald Fierst, Ellen Munds and Robert Revere. Based on the panelists’ presentations and information shared by attendees, there seems to be three things in common with all successful storytelling events
Success Stories in Building Adult Audiences Details »
by Andrew Mungo This article was originally published in The Museletter, newsletter of the League for the Advancement of New England Storytelling (LANES), Vol. 16, No. 1, August 2003At my theater, I’ve been featuring storytellers as “short subjects” before the movie on occasion for about a year now. It’s a mostly popular program and my
