Articles for Storytellers

  Below are articles written by members of the storytelling community. Postcard Marketing  By Stephen Hollen A lot can be said on a two sided postcard. I use postcards in place of brochures much of the time. Brochures in smaller quantities run about $1.00 on vistaprint. Postcards about 7 cents. This is a no brainer.

PRO SIG Preconference, NSN 2013 Conference, Richmond, VA July 2013              by Kate Dudding   Summary Description of the process and success in creating a venue for storytelling to adults; expanding listener base; and sharing lessons learned during fourteen seasons of a dinner storytelling series: “Story Sundays at the Glen Sanders

The NSN Producers & Organizers SIG Pre-Conference Workshop July 2007               By Nancy Donoval and Loren Nieme   As a preparation for Theater and Storytelling collaborations, here is a set of questions and considerations that are worth asking before undertaking a collaboration.   What is the project?   O    

September 2011              by Kate Dudding   Five years ago, something exciting happened in our community. (No, that’s not the royal we – I have a producing partner, Alden (Joe) Doolittle. We specialize in producing storytelling events for adults. Together we’ve produced over 90 storytelling dinner programs and over 10 Tellabrations.)

by Nan Kammann-Judd Member, Producers & Organizers SIG The storytelling community is one of the warmest, most talented, compassionate, and usually very professional groups of people. What separates the “professional” storyteller from other storytellers who are invited to participate in festivals, workshops, performances, and conferences? From the producer’s perspective, here are some suggestions for the

by Kate Dudding () At the National Storytelling Network’s 2003 Conference in Chicago, I moderated a panel discussion on this topic. Other panel members were Gerald Fierst, Ellen Munds and Robert Revere. Based on the panelists’ presentations and information shared by attendees, there seems to be three things in common with all successful storytelling events

by Andrew Mungo This article was originally published in The Museletter, newsletter of the League for the Advancement of New England Storytelling (LANES), Vol. 16, No. 1, August 2003At my theater, I’ve been featuring storytellers as “short subjects” before the movie on occasion for about a year now. It’s a mostly popular program and my

Producer: Gregory Leifel () I run a tri-monthly program for my local Arts Council, in Barrington Illinois. We feature poets, storytellers, musicians, comedians, and other types of performance artists in an evening performance held in an art gallery in a bistro setting (the Pints in the title stand for the drinks — beer and wine

Producer: Priscilla Howe () I have been producing house concerts for adults for approximately 3 years. I was frustrated with trying to produce concerts of my own work for adults, so I decided to offer house concerts to friends and family. The host invites the guests, provides refreshments and passes the hat. I don’t have