Storytelling to Help Your Career

Storytelling to Help Your Career CNN (Atlanta, GA), June 29, 2011 Summary: “It occurred to me that everybody in business shares one universal problem: To succeed, you have to persuade others to support your vision, dream or cause,” Peter Guber, author of Tell To Win: Connect, Persuade, and Triumph with the Hidden Power of Story, […]

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Storyteller Tries to Ease Tsunami Victims’ Pain

Japanese Times (Tokyo, Japan), May 14, 2011 Summary: A ‘Rakugo’ master is performing classic comedy tales along northeast coast in an effort to bring some cheer to evacuees. The traditional Japanese storyteller kneels in front of a room full of families that have lost everything — their loved ones, their homes, their entire town —

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The Psychological Power of Storytelling

Psychology Today (New York, NY) , January 16, 2011 Summary: Stories are authentic human experiences. Stories leap frog the technology and bring us to the core of experience, as any good storyteller (transmedia or otherwise) knows. Our brains still respond to content by looking for the story to make sense out of the experience. No

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The Psychological Power of Storytelling

The Psychological Power of Storytelling Psychology Today (New York, NY), January 16, 2011 Summary: Stories are authentic human experiences. Stories leap frog the technology and bring us to the core of experience, as any good storyteller (transmedia or otherwise) knows. Our brains still respond to content by looking for the story to make sense out

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Lessons from X and Y: Marketing and Social Media with the 20-40 Year Olds

2010 National Storytelling Conference July 29-August 1, 2010 Warner Center Marriott – Los Angeles (Woodland Hills), California There was a pre-conference session of particular interest to PRO SIG members: Thursday, July 29, 9:00 am-12 noon PRO-SIG members shared the lessons learned at the October 2009 “Next Audiences Conference” on the state of the art for

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Tips For The Would-Be Producer

by Ruth Stotter Member, Producers & Organizers SIG Having experienced the pleasure, despair and surprise from the experience of renting a half-dozen theatres and sponsoring dozens of storytelling evenings, here are some of my suggestions for those planning to produce storytelling events. 1) Instead of a set fee, offer a percentage of the take at

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National Storytelling Network 2007 Conference Keynote

Sheraton Plaza Hotel St. Louis, Missouri July 12, 2007 Ronald J. Turner Executive Vice President Emeritus University of Missouri   Thank you for that generous introduction and thanks to the organizers of this important conference.  It is truly good to be here with all of you as we continue the journey of growth and

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How to Gracefully Keep a Program Running On Time

by Members of the Producers & Organizers SIG Here’s a question that appeared on the PRO SIG listserv. Our Tellabration Problem We have our tellers audition their stories, and plan the timing of our program accordingly. But last year, two of the stories really grew between the audition and Tellabration. Plus an emcee took lots

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Emceeing and Giving Introductions

By Mary Grace Ketner ( ) I tend to separate the two: emceeing, introductions. The emceeing has to do with the overall program and the audience, welcoming, making the program flow, cleansing the palate between each teller, building anticipation for the next story, bringing closure. The introductory “speech” for each teller is a separate project

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What Producers Need From Storytellers

by Nan Kammann-Judd Member, Producers & Organizers SIG The storytelling community is one of the warmest, most talented, compassionate, and usually very professional groups of people. What separates the “professional” storyteller from other storytellers who are invited to participate in festivals, workshops, performances, and conferences? From the producer’s perspective, here are some suggestions for the

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