by Kate Dudding () At the National Storytelling Network’s 2003 Conference in Chicago, I moderated a panel discussion on this topic. Other panel members were Gerald Fierst, Ellen Munds and Robert Revere. Based on the panelists’ presentations and information shared by attendees, there seems to be three things in common with all successful storytelling events […]

by Andrew Mungo This article was originally published in The Museletter, newsletter of the League for the Advancement of New England Storytelling (LANES), Vol. 16, No. 1, August 2003At my theater, I’ve been featuring storytellers as “short subjects” before the movie on occasion for about a year now. It’s a mostly popular program and my

Producer: Gregory Leifel () I run a tri-monthly program for my local Arts Council, in Barrington Illinois. We feature poets, storytellers, musicians, comedians, and other types of performance artists in an evening performance held in an art gallery in a bistro setting (the Pints in the title stand for the drinks — beer and wine

Producer: Priscilla Howe () I have been producing house concerts for adults for approximately 3 years. I was frustrated with trying to produce concerts of my own work for adults, so I decided to offer house concerts to friends and family. The host invites the guests, provides refreshments and passes the hat. I don’t have

Producer: Scheherazade’s Legacy, the partnership of Cynthia Changaris () and Mary Hamilton () Purpose: To provide an opportunity for storytellers of all experience levels to gather as peers and work on their storytelling art. While most participants choose to work on the development of specific stories, participants have also worked on workshop revisions, promotional pieces,

Producer: Bev Twillmann (, www.interpretivevoices.com) (This is once the site has been selected and permission gotten from presenting agency) Decide immediately if this is a free and open to the public event (preferred). State the goal of the event.  Just why do you want to have it and who is it going to benefit? If

Producer: Bev Twillmann (, www.interpretivevoices.com) Finding the Correct Site Convincing the Park (Whether National, State or Local) WHO to contact Examine your desire closely as to why you want to begin an event.  Try and connect with a reason for the Park (you are thinking about as a site) to have this event. Example: Haunting

From the sound of Mark Fletcher’s bagpipes, leading the children to the festival grounds on a misty Friday morning, to the last shivery ghost tale told by Mary-Eileen McClear on Saturday night, the first annual St. Marys Storytelling Festival carried an aura of magic.  The magic had begun with an idea in the spring of

by Kate Dudding (Member, Producers & Organizers SIG) and Carolyn Martino Since 1985, “Girls Night Out” has been a tradition each March in Providence, Rhode Island. It was started, and continues to be organized, by the women in the Spellbinders Storytelling Collective to celebrate Women’s History Month with stories and songs by, for and about

By Ellen H. Munds Member, Producers & Organizers SIG () Originally published in Storytelling Magazine, November/December 2006 At the 2006 business meeting of the Producer’s & Organizer’s SIG during the National Storytelling Conference in Pittsburgh, we decided to use this column as a means to share some successful programs. Here in Indianapolis, Storytelling Arts of