September 8, 2010

Producer: Bev Twillmann (, www.interpretivevoices.com) (This is once the site has been selected and permission gotten from presenting agency) Decide immediately if this is a free and open to the public event (preferred). State the goal of the event.  Just why do you want to have it and who is it going to benefit? If

Producer: Bev Twillmann (, www.interpretivevoices.com) Finding the Correct Site Convincing the Park (Whether National, State or Local) WHO to contact Examine your desire closely as to why you want to begin an event.  Try and connect with a reason for the Park (you are thinking about as a site) to have this event. Example: Haunting

From the sound of Mark Fletcher’s bagpipes, leading the children to the festival grounds on a misty Friday morning, to the last shivery ghost tale told by Mary-Eileen McClear on Saturday night, the first annual St. Marys Storytelling Festival carried an aura of magic.  The magic had begun with an idea in the spring of

by Kate Dudding (Member, Producers & Organizers SIG) and Carolyn Martino Since 1985, “Girls Night Out” has been a tradition each March in Providence, Rhode Island. It was started, and continues to be organized, by the women in the Spellbinders Storytelling Collective to celebrate Women’s History Month with stories and songs by, for and about

By Ellen H. Munds Member, Producers & Organizers SIG () Originally published in Storytelling Magazine, November/December 2006 At the 2006 business meeting of the Producer’s & Organizer’s SIG during the National Storytelling Conference in Pittsburgh, we decided to use this column as a means to share some successful programs. Here in Indianapolis, Storytelling Arts of

March 2007             by Kate Dudding   At the 2006 Sharing the Fire, the storytelling conference presented by the League for the Advancement of New England Storytelling, Jo Radner gave an excellent keynote challenging us to come up with ways to raise storytelling to the same level as music and theatre. Her keynote got me thinking. 

By Richard Martin () I’ve done table-hopping a number of times and always found it worked well, particularly when it is a sit-down dinner. In fact, it is one of my suggestions for a gig like a company’s annual dinner party. My reasoning is that, unlike a theatre gig where the audience have consciously chosen

by Leanne Johnson Member, Producers & Organizers SIG They began arriving in January. First, a small flurry, then a trickle at month’s end, and a veritable blizzard around the February 15th deadline. Tapes! Tapes! Tapes! Tapes filled with stories, and songs, and memories, and magic – and mistakes. As the chairperson of a concert committee,